North Berwick

Berwick Law

A few weeks ago on a lovely, bright Scottish morning my Auntie and I climbed to the top of Berwick Law. I just received my scans back from that day and I'm really happy with how they've turned out. They are a mix of Portra 400 shot using my Mamiya 645 Pro and Ektar 100 with my Contax T2. It was my first time shooting medium format and also my first using these cameras and film stocks. I'm really loving the results. Anyway, here's the first picture. It's probably the weakest of the bunch but I liked the way the sun glistened off this pool of water, sort of looks like an infinity pool.

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On the north side, just before you reach the summit, lies the ruin of a watch-house from the Napoleonic Wars. Soldiers situated here would light a fire whenever they saw French ships trying to enter the Firth of Forth. The Law has a long history of being used as a lookout.

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The views from the summit, especially on a morning like this one, are beautiful. This image shows the majority of North Berwick and its lovely coastline. The island to the left is named Fidra (from the Norse for "feather island"), and it is claimed that Robert Louis Stevenson based his map of "Treasure Island" on it. A similar claim is made about Unst in Shetland. I guess we'll never know for sure, but what we do know is that he mentioned Fidra in his book "Catriona" and often spent time on the beaches which overlook the island.

The smaller island to the right is known as The Lamb and is flanked by two skerries (a skerry is a small rocky island too small for habitation), and they are referred to as North and South Dog respectively. Bizarrely, it was bought by serial cutlery destroyer Uri Geller in 2009 because he believed it contained ancient Egyptian treasure.

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There are four islands off the coast of North Berwick, two of which I talked about already. Collectively they are known as the East Lothian Emeralds. The third island in the chain of four is called Craigleith. It was once a rabbit warren, which is a series of connected underground tunnels occupied by rabbits, until myxomatosis wiped out the population in the 1950s. Apparently, rabbits have since been spotted there after being mysteriously reintroduced.

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One of the things I tried to capture with these images is the man-made patterns of the residential areas and I think this one in particular showcases that well.

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My eyes always seem to be drawn to curves and in this instance they were drawn to how the houses curve round gently and lead the eye towards the Bass Rock. Bass Rock is the fourth and final island off the coast of North Berwick. On the island you'll find the ruins of both a castle and a chapel, a lighthouse, and roughly 150,000 gannets. It is the largest single rock gannetry in the world and that very fact is the reason why large parts of the rock look white from a distance. Its lighthouse was constructed by David Stevenson, cousin of author Robert Louis Stevenson. The Bass has a rich history for such a small island and has been used as a prison at various different times. The history books also say that the first inhabitant of the island was a Christian hermit named Baldred who died around 606 AD. A fact that I find hard to get my head around.

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A nice shot of my Auntie looking out to the Bass Rock.

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I wasn't sure whether or not I should post this one but I wanted to show a view from the summit facing south. In person the way the light was hitting off the perfectly cut straight lines of farmland was stunning but I'm not sure I managed to capture that. Also, due to somewhat limited space (falling to my death didn't really appeal to me) I struggled to get the framing the way I wanted.

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On the way back down I swapped my Mamiya 645 for my Contax T2 loaded with Ektar. The first shot I took was of this rather nicely placed bench that's just over halfway up the Law.

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A few seconds after I took this picture of my Auntie I lost my footing and duly rolled down the next part of the hill. My falling technique solely revolved around not smashing my Contax T2 off the ground after only taking two pictures with it, and luckily, I succeeded!

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On our way back down we spotted the string of wild Exmoor ponies that graze on and around Berwick Law. I didn't count at the time but I've since read that there are seven of them and they are named Sherlock, Clouseau, Morse, Inspector Gadget, Artemis, Rebel and Oberon, respectively. They were brought to the area as part of a conservation grazing effort to help deal with the overgrowth of coarse grasses and gorse.

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Exmoor ponies nearly became extinct after the second world war due to soldiers using them for target practice and some people killing them for their meat. At one point only 50 registered mares and 4 stallions remained but luckily they managed to recover and as of 2010 there were an estimated 800 Exmoor ponies worldwide.

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And just like that they were on their way. I'd like to go back and dedicate some time solely to photographing them as I think I can do much better, but it was still a nice surprise having them wander by.

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Managed to take a picture of my Auntie just as she walked through this little tree archway. Love the forest green of the trees in the distance.

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I quite enjoy minimal landscapes like this one.

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This is the last photo from my Berwick Law set and possibly one of my favourites from the day. It is exactly the image I saw in my head and it really shows what a spectacular camera the Contax T2 is. Speaking of which, aside from this shot and a couple of others, I don't think I did the camera justice. After using the Mamiya 645 at the summit my mind was still in that mode so I ended up metering for nearby shadows with the Contax by half pressing the shutter totally forgetting that doing so locks the focus. I think shooting at f8 saved me a bit but it wasn't ideal. The good thing about making dumb mistakes like these are that you feel like such an idiot afterwards that you won't ever make them again. My next blog showcases the Contax T2 way better and I'm looking forward to sharing it.

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North Berwick

Received my scans back from the lovely folks at UK Film Lab after only 3 working days. Truly excellent service. Wasn't supposed to have them until this month so it was a really nice surprise!

The first shots I'll be sharing are from a blustery, wet Sunday my friend Craig and I spent in North Berwick. I had intended on testing my Contax T2 but I didn't feel comfortable taking it out in the light rain. Instead, I decided to take my much less expensive Lomo LC-A to test and I thoroughly enjoyed using it. I wasn't sure what to expect from my compositions since the viewfinder is a bit weird due to the frame lines being partially obscured. No idea if that's the case with all LC-As or if it's just mine. Either way I worked with what I had and I'm happy that, for the most part, they were accurate. It was also my first time using a camera with zone focusing which was cool and I did a lot better than I expected. All shots were shot using Fuji Superia X-Tra 400 at box speed. 

This first image was taken from the car on our way to North Berwick, at a set of traffic lights in Haddington to be precise. I liked the way the windscreen fog and the dashboard framed the man crossing the road.

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The coast is beautiful when it's sunny, but I also find the same to be true when the weather is the complete opposite. A different colour palette, a different tone, a different feel.

For me adverse weather conditions have always served as a strong reminder of just how alive the world is and that was very much on display in North Berwick with the sea hammering against the rocks causing the water to shoot high into the air. It was really cool to watch and I'm glad I managed to capture a little bit of that.

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It was nice to see so many people out and about exploring the coastline despite the wind and rain.

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Craig looking out to sea.

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I'm not sure if it's still in use but this little coastguard lookout hut sits on the rocks watching over the sea nevertheless.

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Hints of yellow.

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These colourful doors were once changing rooms for North Berwick's outdoor swimming pool. Sadly, the pool is no longer there, it's now used to park boats not in use, but the rainbow coloured doors remain.

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This elderly gentleman was having a stroll along the harbour just in front of Craig and I. He was only in our view for a minute or two at most and my decision to take the shot when I did happened in a split second. However, the moments beforehand play a big part in why it's one of my favourites from that day. Let me explain.

"The Dictionary of Obscure Sorrows" by John Koenig is a project that aims to come up with new words for emotions that currently have none. One of the words in the project is "sonder" which he describes as "the realization that each random passerby is living a life as vivid and complex as your own". I mention this because I've done this for as long as I can remember and I did so with the man in this picture. I wondered if he was lonely, if he'd lost the love of his life and walks this path because it's something they used to do together. Or maybe it's something that brings him great joy and his significant other awaits cosy in their little seaside home. The possibilities are endless and in truth I find it overwhelming because I feel every bit of emotion contained within the life I've constructed for the person.

I may not have seen his face but his slightly hunched, closed posture, pictured above, felt vulnerable to me and made me wonder what he was feeling, and I guess that's why I like this photo so much. It's just a man out on a walk, but that man has a story. We all do.

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I loved the contrast between the dull, dark buildings in the foreground and the bright, colourful little houses in the back.

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Marine Parade is home to some stunning shorefront houses. This charming property really stood out to me.

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Another lovely property on Marine Parade.

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This is another favourite of mine from this roll. Turned out exactly as I wanted.

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The dark colours of rock formations always stand out to me on grey days.

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The Lomo LC-A is a great little camera and I had a blast shooting with it. It's diminutive size means that it can be taken with you almost anywhere and also that it's very inconspicuous, which is nice if you don't want to draw attention to yourself with a big camera. As for the images produced by it, I love them! They have a lovely soft quality to them that I find hard to describe in any great detail but they are certainly of a more lo-fi, lomographic variety. Speaking of lomography, the camera really changed my stupidly blinkered view of  it. I had always seen it as cross-processed images with crazy colour casts and insane vignetting, which isn't my thing. Sure, you can cross-process your LC-A images to achieve that look if you so wish, and vignetting is present but it's much more subtle and that more subtle version of lomography is one I really like.